Wednesday, September 13, 2006

Lit / Philip K Dick on building universes

In 1978, Philip K Dick published an essay called "How to Build a Universe That Doesn't Fall Apart Two Days Later." The title sort of says it all; it's about how to envision the world of a story in a way that lasts. He cuts right to chase, too, confronting the hard question that most writing how-to's like to gloss over: What is worth writing about? Where to start? How to make a statement that doesn't age badly?

... I ask, in my writing, What is real? Because unceasingly we are bombarded with pseudo-realities manufactured by very sophisticated people using very sophisticated electronic mechanisms. I do not distrust their motives; I distrust their power. They have a lot of it. And it is an astonishing power: that of creating whole universes, universes of the mind. I ought to know. I do the same thing. It is my job to create universes, as the basis of one novel after another. And I have to build them in such a way that they do not fall apart two days later. Or at least that is what my editors hope. However, I will reveal a secret to you: I like to build universes which do fall apart. I like to see them come unglued, and I like to see how the characters in the novels cope with this problem. I have a secret love of chaos. There should be more of it.


It just gets better from there, really.

Tuesday, September 12, 2006

Baseball / Bonds, 731

Flickr photo



After all my trash talk about Bonds and how he should just fess up to the roids, I saw him hit a dinger last Saturday, and I actually cheered. Like, I stood up as it left the bat, and maybe even jumped in the air when it went out, all the while clapping my hands. It was irresistible. He hit the thing a mile. It was awesome.

Music / Peggy Honeywell at Mollusk

Flickr photo

Being car-less keeps me (mostly) around the southeastern neighborhoods of San Francisco, but every once in a while I'll venture out to the frontiers. Last Friday, we went out to Mollusk, the arty surf shop on 46th-ish Avenue and Irving, (i.e. WAY Outer Sunset), for an art opening and a performance by Peggy Honeywell, i.e. local art star and beautiful loser Clare Rojas. The surf shop setting was informal and cozy; the acoustics actually weren't bad; there were dogs walking around; all in all, it makes me wish that I got out there more. This intimate setting was lots better than the cavernous, loud, obnoxious-people-filled place I saw her perform last, Barry McGee's opening in Melbourne, Australia a couple of years ago.

Thursday, September 7, 2006

My New York Times? Not quite.

The NYT just rolled out a beta of something they're calling MyTimes. As a daily reader of both the print and online editions, I'm intrigued by new developments and ideas at the NYT, and I've been pleased with their recent site redesign. MyTimes, however, strikes me as somewhat misguided.

First off, the name MyTimes sounds like a portal, recalling the confused era when every company wanted to make a my-prefixed version of their site. Unfortunately, it also evokes the subsequent realization that what people really wanted was not control over layout and content, but greater system intelligence -- smarter defaults, recognition of the things they normally do, a clever way of pointing them toward related things. The portal-sounding name wouldn't even be so bad if MyTimes didn't look and act like portal. Alas, it's got all sorts of crap to add and move around and modify, allowing the reader to add RSS feeds from anywhere on the web, view movie times, weather, Flickr images, whatever. To me, the problem is that the NYT isn't "whatever." It's the authoritative source. So why all the other stuff?

A better question: What problem is MyTimes supposed to be solving? What is the user goal is it addressing? One would do research to answer these questions, but -- to be self-referential -- my own goals in reading the NYT: Get the authoritative answer, enjoy great writing, forumlate opinions on complex problems. A major problem of MyTimes is that the NYT is trying to be both the authoritative source, and the delivery mechanism of any other source you might want.

So, my advice to the New York Times ...

  • Bring related information to me. Focus my attention to the news of the day, but make it easy to navigate to related things. These things may be within the NYT, or outside. Use what you know about me -- from observing my behavior -- to point me toward related things. Think Amazon, not Google Homepage or MySpace. Amazon remembers what you like, points you toward related stuff, tells you what other people have looked at, etc. It knows you; you don't HAVE to tell it anything.

  • Don't create a separate place that requires configuration and expect that I will go there and wait for the information to start rolling in. The established framework works: Start at the homepage, drill to the detail. Why create another starting place?

  • Integrate the good things from MyTimes -- the journalist pages, for instance, are a cool idea, and they are most appropriately accessed within the existing framework. Localized content like weather and movie listings are fine, but I don't understand why this needs to be separate from the existing framework of the NYT pages. Basically: Integrate the reader into the NYT, don't create a separate place for him/her. Learn my zip code, remember it, push relevant local content to me. End of story. (And just because Flickr has an RSS feed doesn't mean it's worthy of your brand. You're the New York Times! You've got the best photojournalists in the world! Get rid of it!)


While I'm on the subject, two additional things I'd like to see ...

  • More exposure to the Times' excellent archival journalism. Why not plumb the back catalog, and expose some of it to the readers? Many articles about current events refer to past events. Why not provide a list of related links to previous articles more often? Of course, I'd expect that this content would be free -- not only because I'm a cheapskate -- but because I would think it would pique people's interest in seeing more of it, which would of course cost money.

  • More journalist blogs and discussion. The Public Editor's column has become one of my favorite parts of the paper, and he blogs about interesting journalistic issues as well.Here's a great one about Nicholas Lemann's article about citizen journalism in the New Yorker.


In any case, there are roughly one thousand web sites offering up customizable info widgets, web-wide RSS feed aggregation, and so forth. The NYT should continue to focus on the content, and leave the aggregation to someone else.

Tuesday, September 5, 2006

Street art / Swoon

So it seems I'm a couple of years late to this particular artist, but some recent conversation on the Book Arts list turned me on to Swoon, a NYC street artist. Her medium is the cutout -- from paper, wood, linoleum -- and she attaches these to walls all over NYC. The paper ones are the most amazing to me; they're like those snow flakes you make in grade school, but life-sized and really elaborate and of people. Check out this Flickr cluster to get a sense of the way that the paper ages on the wall, and the way that this fragility and sense of impermanence reacts with the rest of the wall.

This interview in the Morning News has some good detail about her process:
There’s something particular to the images that make me choose that material ... A lot has to do with the limitations of the material. The linoleum you can get so much more detail from. Everything that has more nuances, I use linoleum. The wood is rougher, but a good roughness. The paper is really hard to think about, and so it tends to be simpler. With paper, you’d choose simple subjects because it’s hard to create an expression. The challenge is to make the cutout so that it can get on the wall as a solid unit in two minutes or less.

Thanks to howmuchlongerkillmenow for the photo.